虎嗅

Yayoi Kusama: The world is too bad; better to be a rebel.

原文:草间弥生:这世界太糟,不如做一个叛逆者

Summary of the Core Content

Yayoi Kusama—the "Dots Queen" renowned for her polka-dot style and quirky personality—is not only a favorite in the art and fashion worlds (with her works selling for millions of dollars and collaborations with brands like LV) but also a rebellious individual who doesn't quite fit in with the conventional world. She suffered from childhood abuse and has neurological visual and auditory impairments, yet she found solace in painting to escape her pain. In New York, she faced discrimination and turmoil, using her performance art to protest against war and never stopping her creative endeavors. She is so confident in her talent that she is almost arrogant, believing her works to be truly genius. Even in her old age and with health issues, she continues to see art as her life's purpose, eventually becoming a world-class artist. Her story is one of using rebellion and passion to overcome adversity and define who she is.

Breakdown and Interpretation

1. "The Strange Grandma" Is Not Really Strange: A Truly Likable Soul

Many people view Yayoi Kusama as a "fear-inducing" or "strange old lady," but those who have met her find her endearing. With her red hair and gait reminiscent of a penguin, she speaks in a straightforward manner that can be somewhat blunt, such as saying, "My work is much better than Haruki Murakami's," or exclaiming, "Wow, that's a masterpiece!" When asked if living in the art world is difficult, she responds candidly, "It's much easier once you become famous and have money." Her honesty and lack of pretense make her appear naive yet sincere—like a child who sticks to her own ideas, regardless of what others think.

2. A Troubled Childhood: The Seeds of Rebellion

Kusama's childhood had nothing of the elegance associated with a noble background (although she came from an ancient Japanese aristocratic family). Her father was unfaithful, and her mother would make her follow him to brothels to catch him in the act, often kicking her paint palettes and throwing away her paintings. At 15, she nearly committed suicide by jumping on a train, only to be scolded by her mother for being "stupid." These experiences made her realize early on that home was not a safe place for her, and painting became her only outlet. She drew what she saw (since her neurological conditions made the world appear full of dots), and despite her mother's opposition, she persisted. The seeds of rebellion took root in that pain.

3. Years in New York: Releasing Rebellion in a Land of Discrimination

In her twenties, Kusama moved to New York, where she spent 16 years expressing her rebellion through various artistic actions. She organized anti-war performances (such as running through Central Park with dots painted on her body) and secretly placed 1,500 stainless steel balls at the Venice Biennale (only to be removed by the organizers). She also exhibited alongside Andy Warhol. However, New York wasn't a paradise; at that time, there was discrimination against women and people of Japanese descent. While many female artists relied on their husbands for support, Kusama refused to depend on a wealthy partner. Feeling frustrated, she considered jumping from a building but continued to paint obsessively. During those years, she transformed her rebellion into art, making her polka-dot style known to the world.

4. "Arrogance" as the Foundation of Genius

Kusama's constant assertion that her works are genius is not just arrogance; it stems from her absolute loyalty to herself. She paints without sketches because her ideas come faster than she can draw them on the canvas. She chooses polka dots because that's how the world looks to her (since "the earth is just one of millions of dots"). She doesn't care what others think and paints what she wants to paint. As Mu Xin said, "The first characteristic of a genius is confidence," and it was this confidence that helped her persevere through hardships, despite being driven away and discriminated against.

5. A Lifelong Love for Art: Using Creation to Combat Time and Illness

In her 90s, Kusama still creates while using a wheelchair, saying, "If I could be reborn, I would want to be a painter again." She was once expelled from the Venice Biennale but later represented Japan officially. She was named one of "The 100 Most Influential People of the World" by Time magazine. Even with her failing health, she vows to keep painting day and night until the end. For her, art is not just a career; it is the reason she lives. The pain of her childhood was alleviated by painting, and the loneliness of old age is filled by her creations. She has proven with her life that passion can overcome all adversity.

Final Conclusion

Kusama's story teaches us that it's okay not to fit in with the world; being a rebel can be a wonderful thing. As long as you find your passion and dedicate your life to it, you can become your own "Dots Queen."