虎嗅

Those who wanted to achieve great things often ended up like Vander Bie.

原文:想干大事,最后却都成了范德彪

From "The Toughest Man in Liaobei" to "A Mirror for Middle-Aged People": Why Has Fan Debiao Suddenly Become Popular?

Hello everyone, I'm your financial journalist and economist.

Recently, a character from a TV series from 20 years ago has suddenly become popular on social media, even giving rise to a new field of study—“Biaoxue” (the study of Fan Debiao). This character is Fan Debiao, played by Fan Wei, from the show "Ma Dashuai."

Back then, when we watched "Ma Dashuai," we laughed at Ma Dashuai's misfortunes, played by Zhao Benshan, and saw Fan Debiao as a boastful, incompetent “jokester.” But twenty years later, more and more young and middle-aged people can't laugh at Fan Debiao on screen; instead, they see themselves in him.

Today, let's break down in simple terms why this “famous tough guy from Liaobei” resonates so strongly with contemporary people and what economic and psychological factors lie behind his life story.

Core Summary: From a Comedic Sidekick to the Protagonist of Life’s Struggles

The main point of this article is clear: Fan Debiao’s popularity is essentially a reflection of collective “midlife anxiety.”

Twenty years ago, we mocked Fan Debiao for being overconfident and underwhelming; twenty years later, we see our own reflections in his life of constant setbacks. He’s no longer just a comical sidekick but has become a symbol of how ordinary people deal with the huge gap between ideals and reality.

The article argues that Fan Debiao’s life doesn’t have a dramatic turnaround or a “boss-like” ending; he simply returns to his original role as a chef. But this is precisely the true reflection of most people’s lives: **recognizing our limitations, accepting the mundane, and doing our best with what we have is the greatest victory.”

In-Depth Analysis: Five Contemporary Metaphors in Fan Debiao’s Story

To help you better understand this analysis, let’s break it down into five aspects:

1. Title Inflation: Using “Packaging” to Combat Mediocrity

[Phenomenon]

When Fan Debiao introduces himself, he has to list three titles in one breath: “The famous tough guy in Liaobei,” “The playboy of the reservoir,” and “Security manager and bodyguard at Victoria International Entertainment Plaza.” The last title is his highest achievement, yet he puts it at the end, prefacing it with “security manager.”

[Interpretation]

This is known in economics and sociology as “signal transmission” and “impression management.” Fan Debiao knows he’s just a low-ranking security guard. To gain respect, he repeatedly adds and embellishes his titles to artificially inflate his status.

  • In simple terms: It’s like when many people say they used to be in charge of a key department at a big company, even though they might have only been in charge of a small task; or when they show off high-end social circles, which might just mean they’re in a few groups.
  • Deeper logic: When a person’s actual abilities don’t match their self-esteem, they use verbal packaging to fill the gap. Fan Debiao’s image of being tough is a self-imposed label. We laugh at him because, to some extent, we also try to prove our value through external labels (education, position, consumption).

2. The Age Lie: Using “29” to Combat Midlife Crisis

[Phenomenon]

Fan Debiao is actually 41 years old but always claims to be 29.

**[Interpretation]

This is more than just vanity; it’s a psychological defense mechanism. In Chinese culture, there’s significant pressure around the ages of 30 and 40. Being 41 means failing to achieve success or resolving life’s challenges, potentially facing job loss, health issues, and family problems.

  • In simple terms: Admitting you’re 41 is like admitting, “My prime for success is over, and I still haven’t made a name for myself.” Calling yourself 29 gives the illusion of youth and more time.
  • Deeper logic: It’s a form of self-deception. By not admitting age, one avoids the ultimate judgment of being unsuccessful. Many professionals avoid revealing their true age or downplay it on their resumes, fearing being labeled as outdated or less valuable.

3. A Life of Setbacks: From “Entrepreneurial Dreams” to “Delivering Food”

[Phenomenon]

Fan Debiao’s career path is a classic example of decline:

  • Security team leader (peak) -> Investing in shares (failed) -> Fishing park (never opened) -> Gas delivery (unsuccessful) -> Soup shop (closed) -> Medical scam (unethical) -> Dream interpretation (knowledge-based business) -> Back to being a chef (return to basics).

**[Interpretation]

This mirrors the cycle of “starting a business, failing, and re-employment” among young people today:

  • Investing in shares/fishing park: Similar to quitting a job to start a side business, only to find a lack of funding or market demand.
  • Gas delivery/delivering food: A demotion after a failed business, moving from a manager to a worker, a common path in social mobility.
  • Dream interpretation/medical scam: Turning to knowledge-based businesses or unregulated services when traditional paths fail, often due to lack of core competencies or ethical risks.
  • Returning to being a chef: The most poignant point. After all the attempts, he realizes his true strength lies in his skills.
  • In simple terms: This isn’t about “returning to one’s roots” but about recognizing that your skills are your only source of income.

4. Emotional Parallels: Wanting the Unattainable, Disliking What You Have

[Phenomenon]

Fan Debiao loves Yufen and fights for her, only to lose miserably; the one who truly cares for him, Guiying, he dismisses.

[Interpretation

Fan Debiao’s love story mirrors his life path. Yufen represents the “ideal”—youthful, beautiful, and unattainable; Guiying represents the “real”—stable, supportive, but lacking passion.

  • In simple terms: This is the typical case of being overambitious in love, ignoring those who truly support you. Only when the “ideal” collapses do you realize the “mundane” is the reality. He accepts Guiying not because he suddenly falls in love with her, but because he can no longer afford to pursue illusions.

5. The Ultimate Philosophy: Recognizing Limits is True Maturity

**[Phenomenon】

The article cites the view that only works like “Faust” and Fan Debiao in “Ma Dashuai” can truly capture people’s anxiety about their limitations. Fan Debiao doesn’t have a dramatic turnaround or wealth; he just goes back to being a chef, unscathed.

**[Interpretation]

This is the most profound point of the article. Traditional stories require the protagonist to succeed, defeat the villain, and reach the peak. But Fan Debiao fails and accepts it.

  • In simple terms: We’re taught to aim for greatness, but 99% of us are ordinary. His value lies in his resilience. He learns to comfort himself after setbacks and continues living.
  • Deeper logic: True maturity isn’t about becoming powerful but about accepting our limitations. Admitting we’re not geniuses, that we might never become rich, and that we’re just ordinary chefs. This “acceptance” is not defeatism but liberation. Only when you let go of false labels and dreams can you truly enjoy the present.

Conclusion: Why Do We Need Fan Debiao?

Fan Debiao’s popularity isn’t because we like failure but because we fear it and yet have to face it.

In an uncertain economic environment, between “involution” and “lying flat,” Fan Debiao offers a model of a “middle ground”:

  • He’s not like success gurus who promise quick wealth (that’s deceptive).
  • He’s not a complete nihilist who encourages giving up (that’s dangerous).
  • He tells us: You can have dreams, try new things, fail, and lose face. But in the end, you must stand up, feed yourself, and face tomorrow with a smile.

“Regarding success and failure, life is grand; at worst, you can start over.”

This used to sound like motivational nonsense, but now it’s a guide to survival.

For ordinary people, the best life might not be to be the “toughest man in Liaobei” but to be someone who recognizes themselves, has fewer debts, is healthy, and does their best with what they have.

This is the simple economics and philosophy that Fan Debiao teaches us.