虎嗅

Can't we find even one Luo Ji from all the domestic entertainment industry?

原文:整个内娱选不出一个罗辑?

Summary of Key Points

After the official announcement of the cast for *The Three-Body Problem 2: Dark Forest*, the vacancy for the central character Luo Ji has sparked widespread debate online. The difficulty in finding the right actor for Luo Ji stems from two main factors: firstly, the complexity of the character itself, which involves multiple identity transformations and a non-traditional heroic archetype; secondly, the current supply of actors and the star-making mechanisms in the entertainment industry are not capable of producing characters that require such spiritual depth. Actors who were once able to handle complex roles (such as the young Wang Zhiwen) emerged from a specific artistic context. However, the current industry ecosystem, dominated by popularity, limits young actors' opportunities to develop such skills. Nevertheless, the recent resurgence in adaptations of serious literature, historical dramas, and hard science fiction has brought some hope for change.

Why is Luo Ji such a challenging role to cast?

Luo Ji is difficult to portray because his life is like a rollercoaster: in the beginning, he is a cynical sociology professor (a playboy using his privileges to find his ideal lover); then he suddenly understands the laws of the "Dark Forest" and becomes a savior; in the later stages, he becomes a lonely "Sword Bearer" holding the fate of two civilizations for 54 years. This requires the actor to seamlessly switch between three different states of being: a carefree prodigal, a passionate and explosive individual, and an extremely solitary figure. This cannot be achieved solely through acting skills; the actor must also understand Luo Ji's inner struggles.

Even more challenging is that Luo Ji is not a likable character. He saves the world through a strategy of mutual destruction, becoming a cold and ruthless part of the process, lacking the satisfying sense of being a heroic figure. His relationship with Zhuang Yan could even be criticized in today's context. This "negative savior" archetype demands that the actor convey his contradictions and depth—not just superficial emotions, but a profound intellectual nihilism and determination, which requires a high level of inner cultivation.

Why was the young Wang Zhiwen considered the perfect choice for Luo Ji?

When netizens suggested Wang Zhiwen for the role, almost no one disagreed because he possesses the combination of qualities needed for Luo Ji: an elegant yet intellectual demeanor. He has the depth of a scholar (his academic performance was better than his acting skills) and the carefree charm that captivated generations in his role in *Have a Good Time*.

More importantly, Wang Zhiwen emerged from the "golden age" of Chinese cinema, when literature, philosophy, and realistic dramas were mainstream. Actors like him, such as those who played Ding Yuanying in *Heavenly Way* or a drug lord in other roles, had the experience to integrate profound ideas into their performances. This environment imbued their acting with intellectual depth, beyond mere technical skills.

Why are there no suitable actors in today's entertainment industry?

The reason young actors lack candidates like Wang Zhiwen is that the industry has changed. Over the past decade, popularity and idol dramas have dominated the market, prioritizing attractive looks,able to form couples, and fan appeal over the ability to portray complex characters. Many young actors are cast in roles of "perfect heroes" that maintain a polished image for their fans, which blunts their potential to develop more nuanced performances.

The root of the problem: A long absence of suitable dramas for actor training

The difficulty in finding the right Luo Ji reflects a broader issue: the lack of opportunities for actors to develop these skills. These include:

  • Hard science fiction dramas: There have been few genuine hard science fiction works in recent years, with most being superficial sci-fi shells wrapped around romance or suspense, leaving actors without exposure to grand themes like cosmic laws.
  • Historical dramas: Dramas like *The Great Ming Dynasty 1566* and *Emperor Wu of Han* from the early 2000s trained actors to handle complex historical characters, but such productions have become rare.
  • Adaptations of serious literature: These works have been marginalized by lightweight IP content, resulting in a scarcity of characters with rich psychological depth.

Without these opportunities for growth, how can actors develop the skills needed to portray complex characters like Luo Ji?

Good news: More complex dramas are making a comeback

Fortunately, things are changing in recent years:

  • Adaptations of serious literature: Dramas like *The World of Humans*, *Flowers in Bloom*, and *Protagonist* are gaining attention again.
  • Historical dramas: Projects such as *Zhang Juzheng* and *The Great Han* are in development.
  • Hard science fiction: New projects like *We Live in Nanjing* are being planned.

These dramas focus on the complexity of characters and the depth of their times. If they continue to produce meaningful roles, young actors will have the opportunity to develop their skills, potentially leading to a new generation of talented performers—benefiting both the individuals and the entire industry.

The controversy over casting Luo Ji is essentially an opportunity for the entertainment industry to reflect on its needs. We need not only popular stars but also actors capable of embodying complex human personalities. To cultivate such actors, we need a cultural environment that supports their deep growth. Hopefully, this debate will raise awareness of the importance of complex characters and actor training in the industry.