虎嗅

Why is Haruki Murakami so popular? What he writes isn't about detective stories, but about human nature.

原文:东野圭吾为什么那么红?他写的不是推理,是人性

Summary of Key Points

Higashi Noire Gyoji, the "King of Japanese Mystery Novels," has passed away at the age of 68. Over a 41-year career, he authored 106 works that have sold over 100 million copies, making him a veritable "money-making machine" in the publishing industry. At his peak in China, his annual royalties amounted to 42 million yuan, exceeding the combined earnings of Haruki Murakami and J.K. Rowling. Not a natural genius, he began his writing career as an engineer on weekends, with his early works receiving little attention until he found his unique style of exploring human nature through criminal cases. His success was a result of both hard work and a keen understanding of the prevailing social trends. However, mystery novels are now facing challenges from advancements in technology and the proliferation of entertainment options, making him one of the last luminaries in this literary genre.

I. The High-Yielding "Money-Maker": 106 Works in 41 Years

Higashi Noire Gyoji was a prolific writer, averaging 2-3 novels per year from 1985 until his death (with one exception in 1997), for a total of 106 books. These works have sold over 100 million copies since the early 2000s, earning him the nickname "money-making machine" within the Japanese publishing community. In China, he was even more popular, with annual royalties reaching 42 million yuan in 2018, the highest among foreign authors—more than the combined earnings of Haruki Murakami (18 million yuan) and J.K. Rowling (15 million yuan). This means that he could have purchased a luxury apartment in a first-tier city solely from Chinese readership.

II. From Engineer to King of Mystery: Not a Genius, but Through Hard Work and Finding the Right Style

Higashi Noire Gyoji was not born with a talent for writing. He didn't enjoy reading until he read *Archimedes Kills Someone with a Knife*, which inspired him to give it a try. After repeating a year in school, he entered university and worked as an automotive parts engineer, writing in his spare time to supplement his meager salary. His breakthrough came at the age of 27 with *After School*, which won the Edogawa Ranpo Prize. He then quit his job to focus on writing full-time, but his early works were still unsold. It wasn't until he turned 38 with *Malice* that he began to gain recognition. His breakthrough year was 41, when *Secret* won a mystery writers' award, and *White Night* reached the top of bestseller lists. His masterpiece *Dedication of Suspect X* in 47 earned him multiple prestigious awards, making him a triple champion.

His secret to success lies in his versatility: he excelled at addressing common themes in mystery novels—such as "who did it," "how they did it," and "why they did it"—but he went beyond mere puzzles by using these stories as a platform to explore the complexities of human behavior. For example, *White Night* explores the theme of love that brings warmth yet also leads to alienation in the darkness, leaving readers with a deeper understanding of human nature.

III. Beyond Identifying the Killer: Probing the Depths of Human Nature

His novels differ from others; while others see mystery as an intellectual game, he saw it as an opportunity to observe human behavior. He once said, "Identifying the perpetrator and their methods are essential, but I want to create unexpected twists—like the shocking ending that leaves readers in shock." For instance, *Dedication of Suspect X* appears to be about a mathematician helping his secret lover cover up a murder, but it actually explores the idea that extreme love can drive people to make any sacrifice. In *Malice*, the motive for the crime is pure jealousy and hatred, pushing his novels beyond the realm of conventional mystery and appealing to readers from different generations.

He also blurred the lines between the "traditionalist" (focus on puzzles) and "sociological" (exploring social issues) schools of mystery writing, blending logic with social commentary, always with a focus on human behavior. Some readers describe his protagonist, Kogoro Nagato, as less of a detective and more of a sociologist, as his solving skills rely on understanding human nature rather than high-tech methods.

IV. Capturing the Times: His Stories Touched Japanese Readers

Higashi Noire Gyoji's success was closely tied to changes in Japanese society:

  • During the post-war period, social issues were a concern, and novels served as a means of reflecting societal realities.
  • In the 1980s, with the bubble economy, people preferred "glorious intellectual games" over serious social commentary.
  • After the economic collapse, Japan became more "Zen-like," with a shift towards seeking personal happiness and away from broader societal issues. Higashi Noire's stories about lonely individuals and their struggles resonated deeply with readers.

He himself believed that themes of human nature and societal indifference are timeless.

V. Can Mystery Novels Survive Without Him?

Higashi Noire Gyoji may represent the last golden age of Japanese mystery novels:

  • Technological advancements, such as DNA testing and forensic evidence, make traditional puzzles less effective (for example, in *Dedication of Suspect X*, the victim's identity could be revealed with a DNA test).
  • The rise of entertainment, including films and online novels, has drawn readers away from more thought-provoking genres.
  • Newer writers, like Isaka Hitoshi and Kudo Kazuya, are creating mystery stories that blend fantasy or everyday mysteries, shifting away from traditional formats.

Higashi Noire Gyoji foresaw this trend, emphasizing the importance of exploring human nature in his works. His novels may become classics, but the golden age of mystery fiction might indeed be over.

The passing of Higashi Noire Gyoji is not only a loss for the mystery genre but also a marker of a changing era. With his 41 years of writing, he provided a profound insight into human nature and captured the essence of our times. His novels are more than just mysteries; they reflect the complexities of the human heart.