虎嗅

"Cow came, cow left again"

原文:牛来,牛又走了

Summary of the Key Points

"The Arrival of the Ox" was a movie that went virtually unnoticed before its release (with only a few dozen people interested on the Maoyan platform), yet it suddenly became an internet sensation over the weekend thanks to trending topics such as #BoxOffice7352YuanNoTenThousand#. Nearly 40 related searches dominated social media, prompting cinemas to add extra showtimes overnight (raising the theater occupancy rate from nearly zero to 2.4%). The movie's cumulative box office exceeded 4 million yuan, ranking it tenth among domestic animated films. Despite knowing it was a "bad film," viewers still bought tickets, essentially seeking a sense of participation in the online phenomenon—they could share their experiences on social media, joke about the movie's silly elements, and feel like they were "eyewitnesses" to the event. However, this surge in popularity was driven by short-term curiosity and quickly faded due to a lack of subsequent value (such as second viewings or related merchandise). The lesson for the industry is that viewers' reasons for buying tickets are becoming more diverse (they consider not only the content but also the fun and emotional impact), but a good story remains the key.

From "Unnoticed" to "Internet-wide Frenzy": An Unexpected Traffic Storm

The success of "The Arrival of the Ox" was entirely due to a series of counterintuitive strategies:

1. Trending Topics Sparked Interest: Topics like "7352 Yuan No Ten Thousand" (the meager box office) and "How Did It Get a Release Permit?" made it onto the top 20 of trending searches, sparking widespread interest in the film.

2. Cinemas Responded: Seeing that people were buying tickets, cinemas quickly increased showtimes (from a few to thousands) and even allocated premium Dolby theaters, significantly boosting their theater occupancy rate.

3. Audience Engagement: Fans bought tickets out of curiosity, willing to experience the movie despite its potential quality, with some even purchasing all the seats in Dolby theaters.

In just a few days, it went from being an obscure film to a topic of national conversation.

Why Buy Tickets for a "Bad Movie"? It's About the Experience, Not the Film Itself

The motivation behind viewers' purchases was quite different from usual:

  • Social Media Content: Spending a little money on a ticket gave them something to share on social media—jokes, reactions, and proof that they had actually attended the movie.
  • Identity Transformation: Watching online trailers made them mere onlookers; buying tickets turned them into "eyewitnesses" with more significant social status.
  • Low-Risk Entertainment: The cost was comparable to a cup of tea, offering a low-risk way to have some fun and join in the collective excitement.

In essence, viewers were drawn by the experience of being part of the hype.

Why Did Cinemas Add Showtimes Overnight? Business Logic Takes Precedence

Cinemas are businesses that focus on revenue. Regardless of the film's quality, they care only about whether people are willing to pay:

  • Initially, "The Arrival of the Ox" had very few showtimes because no one wanted to watch it. But once demand surged due to online interest, cinemas adjusted their schedules.
  • Some even provided premium Dolby theaters, as there was a market for such experiences.

For cinemas, box office is the ultimate metric; artistic value is secondary.

Can This Popularity Last? Short-Term Curiosity Isn't Enough for Long-Term Success

The success of "The Arrival of the Ox" was fleeting due to its lack of sustained appeal:

  • One-Time Consumption: The first viewing was a unique experience, but subsequent visits would be seen as repetitive.
  • Lack of Follow-up Value: Unlike popular films like "Nezha," which offer opportunities for second viewings, merchandise, or sequels, "The Arrival of the Ox" had none, leaving viewers with no reason to return.
  • Online Audience Disinterest in Sequels: When the director announced a sequel (called "Yang Gao"), fans were unenthusiastic due to the loss of initial curiosity.

This phenomenon is similar to internet memes—quickly popular but just as quickly forgotten.

The Implication for the Film Industry

Auditorial behavior has changed, but good stories remain essential:

  • Diverse Motivations: Viewers now buy tickets for various reasons (entertainment, participation, emotional release).
  • Power of Social Media: Movies without promotion can still gain fame through word-of-mouth and viral content.
  • Quality Matters: Short-term popularity may bring immediate success, but long-term success relies on quality content.

In other words, there's no need to fear "bad movies" dominating the market; viewers will ultimately support good stories.

In Conclusion: It Was Just a Collective Act of Entertainment

The surge in interest around "The Arrival of the Ox" was essentially about people spending a little money to share in a collective experience—laughing, criticizing, and participating in an online phenomenon. It had more to do with emotional engagement than the film itself. Once the hype subsided, everyone returned to their regular habits of watching movies.

As the saying goes, "The ox has come and will soon leave." There's no need for panic or anger; it was just a temporary trend. In years, people might remember it as an interesting experience they once participated in.